Ok I figured it would be cool to give you guys an idea of what I use to mix my sets. Now this is my personal equipment and not the stuff I use in the clubs because the clubs are filled with stupid wack equipment..why I don't know but you would figure a club dj booth should be hooked up to the max but 95% of the time it is not almost like a chimp designed the dj booth...anyhow this is my setup here in the "mansion"..
7 Techics 1200mk2 turntables
2 Vestax Pda1's turntables
2 Rane MP24 Mixers
1 Numark CM1000 Pro model (Has Rotary Pots instead of slides)
1 Numark CDM-88
12 Otofon Concorde Headshells
6 Shure EL680 Headshells
1 Deltalabs Effectron 2
3 Sony PCM-R300 DATs
1 Onkyo Amp (300 watts)
2 Cerwin-Vega VE12s...
1 Cerwin-Vega 15" powered sub woofer (has eviction notice rude sub-bass)
That is the core of the mix equipment..
Some of the equipment is simply backup, however I have configured 2 fully operational mix stations. My main mix station is 4 1200's the Rane MP24 mixer and the CM88 cd player, the other consists of the 2 Vestax turntables and the CM1000 mixer.
The reason for the 2 different setups is because I mix differently of each set. I use the Vestax setup to mix trance sets and progressive house sets only and I use the Technics setup for everything. The Numark CM1000 is a professional grade rotary mixer (like it better than a Urei) and has some nice to have features that the Rane does not have because the Rane is a older design, both my Ranes were made in 1987 and 1989 respectfully.
Ok let me say this...ALWAYS buy or use top end equipment, why...well in the long run you will always be happier and save money. Just as an example the 4 1200 tables I use mostly I bought in 1983 and NEVER had to have them adjusted or serviced. Just take care of your equipment and it will take care of you and most importantly last.
Another example is that my Otofon Concordes actually are the original ones the company released in 1986..so figure it out, I have been using the same headshells for 22 years and only changed the styli one in all this time and they track and sound as the day I got them all that time ago.
So when I make a set I record to DAT tape directly and then do the transfer to the computer for editing to the required radio set time which is usually 1 hour blocks. So a usual three hour set I would break into three 1 hour blocks. I don't edit my shows because I honestly don't screw up while mixing live, lots of practice is the reason for that.
When I do mix and when people see my spin I am always thinking 5 to 6 mixes ahead, I do not have a particular program laid out like many dj's do..I learned long ago that you need to read the crowd to dictate where your set is to take you..so if you watch me I am always pulling records out and really don't have time to BS with people because I am working the mix literally and performing because that is what a dj is supposed to do, perform for the crowd just like any musician would do. We can party and BS all you want afterward, I am really serious about my sets and decades of dance music knowledge is embedded in my head and I have to be the best for the fans and live audience, that is part of being a true master of his craft and professional.
Let's see what else..hmmm, can't think of anything right now but to say that being a GOOD dj IS NOT easy and IS NOT for everyone. It takes the time not just with understanding the music but knowing the technicalities of mixing music and many many other things that we can visit later on.
I am old school, meaning I use almost all vinyl, and a cd very rarely if I cannot get something on vinyl...but trying to get something on vinyl is one of the fun part of djing and many newbees have it WAY TOO EASY. I get my vinyl from here in this country the UK, Germany, the Netherlands, Japan and other countries as needed. Getting tracks in mp3 off the net is just too easy and using a cd player or software with beatmatcher is too easy and quite honestly you are shorting yourself because if you really want to be great you need to go back to the basic fundamentals..that is the best advice I can give the newbees who are serious about this.
Shoot me any questions that you may have..
7 Techics 1200mk2 turntables
2 Vestax Pda1's turntables
2 Rane MP24 Mixers
1 Numark CM1000 Pro model (Has Rotary Pots instead of slides)
1 Numark CDM-88
12 Otofon Concorde Headshells
6 Shure EL680 Headshells
1 Deltalabs Effectron 2
3 Sony PCM-R300 DATs
1 Onkyo Amp (300 watts)
2 Cerwin-Vega VE12s...
1 Cerwin-Vega 15" powered sub woofer (has eviction notice rude sub-bass)
That is the core of the mix equipment..
Some of the equipment is simply backup, however I have configured 2 fully operational mix stations. My main mix station is 4 1200's the Rane MP24 mixer and the CM88 cd player, the other consists of the 2 Vestax turntables and the CM1000 mixer.
The reason for the 2 different setups is because I mix differently of each set. I use the Vestax setup to mix trance sets and progressive house sets only and I use the Technics setup for everything. The Numark CM1000 is a professional grade rotary mixer (like it better than a Urei) and has some nice to have features that the Rane does not have because the Rane is a older design, both my Ranes were made in 1987 and 1989 respectfully.
Ok let me say this...ALWAYS buy or use top end equipment, why...well in the long run you will always be happier and save money. Just as an example the 4 1200 tables I use mostly I bought in 1983 and NEVER had to have them adjusted or serviced. Just take care of your equipment and it will take care of you and most importantly last.
Another example is that my Otofon Concordes actually are the original ones the company released in 1986..so figure it out, I have been using the same headshells for 22 years and only changed the styli one in all this time and they track and sound as the day I got them all that time ago.
So when I make a set I record to DAT tape directly and then do the transfer to the computer for editing to the required radio set time which is usually 1 hour blocks. So a usual three hour set I would break into three 1 hour blocks. I don't edit my shows because I honestly don't screw up while mixing live, lots of practice is the reason for that.
When I do mix and when people see my spin I am always thinking 5 to 6 mixes ahead, I do not have a particular program laid out like many dj's do..I learned long ago that you need to read the crowd to dictate where your set is to take you..so if you watch me I am always pulling records out and really don't have time to BS with people because I am working the mix literally and performing because that is what a dj is supposed to do, perform for the crowd just like any musician would do. We can party and BS all you want afterward, I am really serious about my sets and decades of dance music knowledge is embedded in my head and I have to be the best for the fans and live audience, that is part of being a true master of his craft and professional.
Let's see what else..hmmm, can't think of anything right now but to say that being a GOOD dj IS NOT easy and IS NOT for everyone. It takes the time not just with understanding the music but knowing the technicalities of mixing music and many many other things that we can visit later on.
I am old school, meaning I use almost all vinyl, and a cd very rarely if I cannot get something on vinyl...but trying to get something on vinyl is one of the fun part of djing and many newbees have it WAY TOO EASY. I get my vinyl from here in this country the UK, Germany, the Netherlands, Japan and other countries as needed. Getting tracks in mp3 off the net is just too easy and using a cd player or software with beatmatcher is too easy and quite honestly you are shorting yourself because if you really want to be great you need to go back to the basic fundamentals..that is the best advice I can give the newbees who are serious about this.
Shoot me any questions that you may have..
Last edited by a moderator: